The Wachowskis have made yet another box-office bomb in the form of Jupiter Ascending. But that doesn’t mean that all of their films are terrible. I would like to draw your mind back to a time when they seemed like they were going to be the next Ridley Scott.
I’m talking, of course, about 1999 when The Matrix debuted and wowed audiences with its unique visual style and intriguing metaphysical ideas. Do you think this movie has already been dissected to death, and there’s nothing new to say about it? Well, I’ve got a whole new take on it that will have your head spinning.
It turns out that The Matrix is an example of cinematic chiasmus. That is, its first half mirrors its second half so that the film’s events all line up beautifully, creating a symmetrical whole. It joins an exclusive club of other superb sci-fi…
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